Zoom H2n

Home /
[PRE-ORDER] Zoom H2n

[PRE-ORDER] Zoom H2n

SKU: ZOOM-H2n

SGD 234.00

Availability:

Availability: On Request

Let us know you're interested we'll notify you when stocks arrive.

Handheld Recorder w/ 5 Mics & Selectable Recording Modes

Price includes 7% GST

Description
Specifications

Description

THE WORKHORSE OF FIELD RECORDERS

The H2n Handy Recorder is the only portable recording device to come with five built-in microphones and four different recording modes: X/Y, Mid-Side, 2-channel surround and 4-channel surround. Other advanced features include automatic gain control and onboard MS decoding, plus effects like compression, limiting and low cut filtering. You can even use the H2n as a multi-purpose USB microphone!

With its multiple microphones and recording modes, the H2n can handle just about every kind of application. Here are just a few ways it can be used:

Live recording of concerts and rehearsals, in either stereo or surround sound

Location videography—the H2n gives you plenty of options in postproduction

Creating audio for YouTube videos

Generating lasting audio documents of important events

As a USB microphone providing input to recording software

Five microphones, four ways of recording

The H2n offers not one, not two, but five built-in microphones. Two of them are arranged as an X/Y pair, while the other three are configured in an MS ("Mid-Side") pattern. They can be used separately for X/Y or MS stereo recording, or combined to create stunning 2- or 4-channel surround sound.

Mid-Side for variable stereo width

Mid-Side recording is an incredible technique that allows you to actually adjust the width of the stereo image after it has been recorded, while maintaining perfect mono compatibility, making it especially useful for film, video and television projects.

The three microphone elements in the H2n MS mic are set directly on top of one another. One faces forward and the other two face to the side:

Illustration - Mid-Side Recording

The H2n's onboard MS decoder allows you to adjust the relative level of the mic elements, either during the recording process or afterwards, during post-production. As you increase the level of the Side microphones, the perceived stereo width increases as well.

X/Y for natural-sounding stereo

The X/Y technique provides a great way to cover a wide area while still capturing sound sources in the center with clarity and definition, making it perfect for all types of live stereo recording.

The H2n's built-in X/Y microphone provides two matched unidirectional microphones set at a 90 degree angle relative to one another, optimum for most stereo recording applications.

Illustration - X/Y Recording

Surround sound for lifelike realism

The H2n allows you to combine the signals from both the X/Y and MS microphones in order to create surround sound recordings of everything you hear—not just those sounds coming from in front of you, but from all directions.

Use 2ch mode to create a single stereo file of the combined mics, or 4ch mode to record the signal from the H2n's X/Y mics onto one stereo track and signal from the MS mics onto another. The resulting pair of tracks can then be routed to separate speakers for an immersive listening experience or can be blended into a custom stereo track. In addition, the H2n's MS decoding feature can be used to independently alter the level of the Side signal in both 2ch and 4ch modes.

Illustration - Mid-Side + X/Y Recording

Features

Five built-in microphones and four recording modes: Mid-Side (MS) stereo, 90° X/Y stereo, and both 2-channel and 4-channel surround

Analog-type input gain control

Auto Gain provides three preset recording levels

Stereo ⅛" Mic/Line In mini phone jack with Plug-in power (2.5V)

Stereo ⅛" Phone/Line Output jack with dedicated volume control

Built-in reference speaker for fast monitoring

Large 1.8 inch backlit LCD display

Records directly to SD and SDHC cards up to 32GB

Supports up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats

Auto-record and Pre-record features

WAV to MP3 conversion

Internal mixdown: four-track surround to stereo

Up to 99 marks per recording

Built-in effects, including compression/limiting and low-cut filtering

Onboard MS decoding

Normalize and Divide functions

Chromatic tuner and metronome

Loop playback with user-defined start and stop points

Variable playback speed, from 50% to 150% for phrase training

Variable pitch without affecting playback speed

USB port for data exchange to and from computer and use as a USB microphone

2-in/2-out USB audio interface for PC/Mac computers

SD card reader function

Data recovery function automatically saves data if power fails or card is removed

Mounts directly to tripod or DSLR

Runs on only 2 standard AA alkaline or NiMH rechargeable batteries, or AC adapter (AD-17, USB to AC type)

Over 20 hours of operation with 2 AA alkaline batteries

Specifications

GENERAL
Recording media:	16MB–2GB SD cards, 4GB–32GB SDHC cards
Built-in memory:	Up to 1 minute in 96kbps MP3 format (Recording overwrites any previous recording in memory)
Mic arrangements:	90˚ X/Y stereo, MS stereo with adjustable side mic level
Recording modes:	MS, XY, MS+XY (2ch), MS+XY (4ch)
Microphone types:	Directional (XY, MS mid mics) Bidirectional (MS side mic)
Maximum sound pressure input:	120 dB spl (directional) 122 dB spl (bi-directional)
FILE FORMATS
Stereo uncompressed PCM:	44.1 / 48 / 96kHz, 16 / 24bit WAV (BWF)
Compressed MP3 (recording):	44.1kHz, 48kHz 56/64/80/96/112/128/160/192/ 224/256/320kbps (Not compatible with MS-RAW recording)
Compressed MP3 (playback):	44.1kHz, 48kHz 32/40/48/56/64/80/96/ 112/128/160/192/224/256/320kbps
4ch uncompressed PCM:	44.1 / 48 / 96kHz, 16 / 24bit WAV (BWF) (Two stereo files for each recording)
DIGITAL PROCESSING
A/D conversion:	24-bit 128× oversampling
D/A conversion:	24-bit 128× oversampling
Signal processing:	32-bit
Recording time (2GB card):	3:08:00 (44.1kHz/16bit WAV), 34:43:00 (128kbps MP3)
ADDITIONAL FEATURES
Lo cut:	80Hz high-pass filter
Comp/Limiter:	3 types of compressors and 3 types of limiters
Auto gain:	Automatic input gain adjustment (3 levels)
Pre rec:	2 seconds of pre-recording
Auto rec:	Automatic recording start/stop, continuous standby
Tuner:	Chromatic, guitar, bass and alternate (A/E/G/D/DADGAD) tunings with automatic string detection
Metronome:	40–250 BPM range, five tones, pre-count
Speed:	Playback speed adjustable between 50–150%
Key control:	Playback pitch adjustable ±6 semitones (Cannot be used with 96kHz files)
AB repeat:	Repeats playback between selected points in a file
File divide:	Divides a file into two
File normalize:	Maximizes file volume (Cannot be used with MP3s)
File MP3 encode:	Converts WAV files to MP3 formats at fixed bit rates
Mark:	Up to 99 marks (WAV files only)
Surround mixer:	Adjusts mix balance when playing back 4ch surround recordings
OTHER
Display graphic:	128×64 pixels backlit LCD
Input gain:	0 to +39 dB
Input jack:	Line/mic stereo mini jack with plug-in power 2 kΩ impedance at input levels of 0 to –39 dBm
Output jack:	Line/headphone stereo mini jack
Rated output level:	−10 dBm (output impedance 10 kΩ or more)
Headphones:	20 mW + 20 mW (into 32 Ω load)
Built-in speaker:	400mW, 8Ω, mono
USB:	Mini-B type Card reader operation
USB 2.0 high speed:	Audio interface operation
USB 1.0 full speed:	Supports 44.1 / 48kHz sampling rates and 16-bit rate USB bus power operation supported
Power:	Two AA batteries, AD-17 USB to AC adapter (DC 5V 1A) Continuous operation of 20 or more hours when recording 44.1kHz/16-bit WAV files using alkaline batteries
Physical features:	Tripod mounting socket, strap attachment
Dimensions:	67.6mm (W) × 113.85mm (H) × 42.7mm (D)
Weight:	130 g (without batteries)